This is consistent with my OSCar, but on the ImpOSCar 2 you have to kick the filter into oscillation using a signal from elsewhere and, once this signal is removed, the oscillation quickly disappears. More interestingly, the filter in my very early version of the ImpOSCar self-oscillates at a low amplitude if the separation is at or near zero and the Q is at or near its maximum. Moving on to the filter, a sonic comparison reveals that the underlying sound is not quite the same the drive level has been backed off a tad to create headroom for patches that take advantage of unison. Elsewhere, the editing facilities for the 24-harmonic additive waveform generators have also been enhanced, and you can now draw harmonic profiles rather than having to adjust each one individually. There are even two RM modes: a Full mode that does pretty much what you would expect, and a Half mode that sounds more like an amplitude modulator. I'm also pleased to see the addition of a Ring Modulator in the Mix section, which allows you to balance the outputs of Osc1 and Osc2 as before, or Osc1 and the result of ring modulating Osc1 with Osc2. Once you've inserted the signal, you can, of course, mix it with internally generated sounds (or not) and process it using the ImpOSCar 2's filters, modulators, contours and effects. Despite what the host might tell you, there is but a single external signal input, but you can apply this at any combination of three points in the signal chain - replacing the waveform generated by Osc1 and/or Osc2, and replacing the noise generator.
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Similarly, while the fixed-rate PWM waveforms are retained, the Aux Mod section can also apply additional modulations to these.Īnother big change lies in the addition of the external signal inputs that become operative when you load the dedicated Effects version within a suitable host environment. Gone is the single pulse-width knob that determined the duty cycle for both oscillators each now boasts its own PW knob, and the widths can be destinations in the Aux Mod section, allowing you to create much richer initial timbres than before. Let's start with the initial sound generation. Less obvious at a glance are additions such as an external audio input and significant enhancements to the arpeggiator, the keyboard controller section, and the chorus. There's an additional LFO, an auxiliary modulation routing section, a unison section, a ring modulator, a chord play feature, and more. Having registered the ImpOSCar 2 and loaded it as both a stand-alone application and as a VST plug-in within Plogue Bidule and Digital Performer 7.24, it was immediately apparent to me that it has been extended dramatically when compared with its predecessor. Here you can see ImpOSCar 2's Effects window, which appears at the top right of the GUI. The OSCar not only sounded different, it often sounded better. But perhaps there's one thing that excuses this price, and simultaneously justifies the existence of the original ImpOSCar, the new ImpOSCar 2 and the Touch Digital IMP2C controller reviewed today: the sound. This seems incredible, given the OSCar's arcane operating system, its fragile physical design, and the fact that (as I once discovered to my annoyance) mice like chewing on the rubber used in its construction. You would have been able to pick up an OSCar for around £600 when I was writing the ImpOSCar review, but one sold for nearly £2000 on eBay in August 2011. At the same time, the perceived desirability of the original synths has also rocketed. (See Sound On Sound, May 2004.) Since then, soft synths have continued to improve, both in terms of the quality of their emulations and the range of extra facilities that build upon the capabilities of their inspirations. Consequently, it was almost inevitable that at least one OSCar soft-synth would appear, and eight years ago I reviewed the first of these the ImpOSCar. Released in 1983, the OSCar was, in many ways, a remarkable monosynth, with digital oscillators, additive synthesis capabilities, an unusual dual filter configuration, an arpeggiator and even a primitive sequencer lurking within its rubberised body.
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GForce's acclaimed OSCar emulator gets a major update - and a deluxe control surface, in the shape of the Touch Digital IMP2C.
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